It was named and famous for its breed of white chickens and for its laurel grove ( Pliny's Natural History 15.136f), which were given auspiciously omened origins by Suetonius. Having dead flowers (or even flowers that were not in bloom) would not be as “pretty” and may bring a more negative response to those viewing the piece.Nearby, the villa of Livia Drusilla called Ad Gallinas Albas was probably part of Livia's dowry brought to the Julio-Claudian dynasty. If I were going to display such a large mural, I would want it to look lively and lush. It looks larger and more open, rather than a stifling, claustrophobic room.Īlso, from what I remember about the book, the Greeks did not devote many of their pieces to depictions of nature! Most were of people, buildings, or events.įinally, I think that it was most likely for aesthetic purposes. Do you think this had a significant symbolic meaning or was it more for aesthetic purposes?īy “breathing room,” I meant the perceived space and atmosphere of the room. One thing that stood out to me was that the entire garden featured different types of plants, yet everything was in bloom. Are there any other significant similarities and differences between this piece and Greek paintings? You mentioned that Greek paintings do not focus on nature like this gardenscape does. What do you mean by the “breathing room” that this garden mural created in the room? This is an excellent post that provides an understanding of the stylistic design of the wall painting, but I do have some more questions. Gardenscape from the Villa of Livia, Primaporta, ca.
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